Johann Georg Pisendel, Martina Graulich, Stefano Demicheli, Thomas C. Boysen, Ute Petersilge's 'Violin Sonata in E-Flat Major: I. Adagio' had a release date set for February 1, 2004. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Violin Sonata in E-Flat Major: I. Adagio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Pisendel & Dresden". In this album, this song's track order is #26. Furthermore, we believe that the track originated from Germany. The popularity of Violin Sonata in E-Flat Major: I. Adagio is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Sonata in E-Flat Major: I. Adagio by Johann Georg Pisendel, Martina Graulich, Stefano Demicheli, Thomas C. Boysen, Ute Petersilge having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata seconda du IIème Livre de Sonates à violon seul et basse continue: Andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Overture in B-Flat Major, Op. 8, No. 1: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 85 BPM | ||
Airs for the Winter: Golden Rod: III. Tempo di minuetto: Allegro | James Oswald, The Broadside Band | A Major | 2 | 11B | 76 BPM | ||
Aria and 6 Variations in F Major, P.195: I. Aria tertia | Johann Pachelbel, Simone Stella | E Major | 1 | 12B | 0 BPM | ||
Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Concerto grosso in B-Flat Major, 1 No.3: IV. | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 146 BPM | ||
Flute Concerto No. 2 in C Minor: I. Prelude - Lentement | Michel Pignolet de Montéclair, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | D♭ Major | 0 | 3B | 79 BPM | ||
Symphony in C Major, H. 649, Wq. 174: III. Allegro | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Mayumi Hirasaki | D♭ Major | 2 | 3B | 89 BPM | ||
San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
Airs for the Spring: Ranunculus: III. Tempo di minuetto | James Oswald, The Broadside Band | A Major | 2 | 11B | 120 BPM |