Jean-Baptiste Singelee, Bruno Canino, Sassofoni Accademia Quartet's ' "Fantaisie Brillante, Op. 75" was released on its scheduled release date, January 1, 2000. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Singelee: Solo De Concert Nos. 3-7 / Duo Concertant / Fantaisies". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Italy. Based on our statistics, Fantaisie Brillante, Op. 75's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Fantaisie Brillante, Op. 75 by Jean-Baptiste Singelee, Bruno Canino, Sassofoni Accademia Quartet having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | A Major | 0 | 11B | 74 BPM | ||
Clarinet Sonata No. 1 in B-Flat Major: I. Allegro moderato | Jean Xavier Lefevre, Csaba Klenyán, Péter Kiss | B♭ Major | 1 | 6B | 133 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Notturno | Halfdan Kjerulf, G. Zanger, Kerava Quartet | C Major | 0 | 8B | 70 BPM | ||
Schwanenlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | G Minor | 1 | 6A | 132 BPM | ||
Concerto for Cello and Wind Orchestra: II. Romance | Jacques Ibert, Ernst Simon Glaser, Norwegian Navy Band Bergen, Peter Szilvay | A Minor | 0 | 8A | 82 BPM | ||
Five Bagatelles, Op. 23: Carol (Arr. for Saxophone & Piano) | Gerald Finzi, Naomi Sullivan, Robin Bigwood | D Major | 0 | 10B | 62 BPM | ||
Symphony No. 4, Op. 90, "Italian": II. Andante con moto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Fantaisie, Op. 89 | Jean-Baptiste Singelee, Claude Delangle, Odile Delangle | E♭ Minor | 0 | 2A | 80 BPM | ||
Fantasy | Fritz Kroepsch, Ludmila Peterková, Irina Kondratenko | F Major | 1 | 7B | 70 BPM |