"Fantaisie, Op. 89" by Jean-Baptiste Singelee, Claude Delangle, Odile Delangle had its release date on December 1, 2003. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Claude Delangle, Odile Delangle's "Historic Saxophone - Music Written for And Published By Adolphe Sax" album is number 6 out of 13. On top of that, Sweden appears to be the country where this track was created. Fantaisie, Op. 89 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fantaisie, Op. 89 by Jean-Baptiste Singelee, Claude Delangle, Odile Delangle to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | A Major | 0 | 11B | 74 BPM | ||
Deep River (Arr. J. Lenehan for Clarinet & Piano) | Traditional, Helen Habershon, John Lenehan | E♭ Major | 0 | 5B | 63 BPM | ||
6 Variations for Violin and Piano on "Hélas, j'ai perdu mon amant", K. 360: I. Theme. Andantino | Wolfgang Amadeus Mozart, Alina Ibragimova, Cédric Tiberghien | G Minor | 0 | 6A | 142 BPM | ||
Masques et Bergamasques, Op. 112: III. Gavotte | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Fantasie Sur Un Théme Original | Jules Demersseman, Wonki Lee, Esther Lim | B♭ Major | 1 | 6B | 126 BPM | ||
Mozart a 9 anni - Elaborazioni per orchestra d'epoca: 5. Allegro in D Minor (Londoner Skizzenbuch n.20, K.15u) | Salvatore Sciarrino, Wolfgang Amadeus Mozart, Orchestra di Padova e del Veneto, Marco Angius | F Major | 0 | 7B | 76 BPM | ||
Scaramouche, Op. 165d: II. Modéré | Darius Milhaud, Sebastian Manz, Martin Klett | B♭ Major | 0 | 6B | 65 BPM | ||
Sonate pour flûte et piano, FP 164: III. Presto giocoso | Francis Poulenc, Mathilde Calderini, Aurèle Marthan | A Major | 3 | 11B | 82 BPM | ||
Invocation (based on Mozart’s Le nozze di Figaro, K. 492) | Philippe Gaubert, Fenwick Smith, Sally Pinkas | A Minor | 1 | 8A | 174 BPM | ||
Bassoon Sonata in F Minor, TWV 41:f1 (Arr. D.V. Marx for Bassoon & Guitar): III. Andante | Georg Philipp Telemann, Rainer Seidel, Daniel Valentin Marx | B♭ Major | 0 | 6B | 104 BPM |