"Das "Fragment an sich"" by Friedrich Nietzsche, Lauretta Altman was released on October 1, 1998. The duration of Das "Fragment an sich" is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Das "Fragment an sich"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 43 in the song's album "Nietzsche: Music of Friedrich Nietzsche". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Canada. Das "Fragment an sich" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Das "Fragment an sich" by Friedrich Nietzsche, Lauretta Altman having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in B-Flat Minor, Op. 3, No. 5 | Sergei Rachmaninoff | B♭ Minor | 0 | 3A | 69 BPM | ||
Les Soirée de Nazelles: II. Le cœur sur la main : Modéré | Francis Poulenc, David Jalbert | D♭ Minor | 1 | 12A | 113 BPM | ||
Einleitung - II | Friedrich Nietzsche, Lauretta Altman | D Major | 1 | 10B | 109 BPM | ||
Peer Gynt Suite No. 1, Op. 46 (trans pour piano): I. Morning Mood | Edvard Grieg, Sheng Cai | E Major | 0 | 12B | 67 BPM | ||
Nocturne No.5 in B Flat Major, Op.37 | Gabriel Fauré, Pascal Rogé | B♭ Major | 1 | 6B | 91 BPM | ||
Italienische Liebesnovelle Op. 19: II. Barcarolle | Heinrich Hofmann, Lise Boucher, Jean Marchand | A Minor | 0 | 8A | 93 BPM | ||
Prelude in E Minor | Fanny Mendelssohn, Beatrice Rauchs | E Minor | 0 | 9A | 84 BPM | ||
6 Consolations, S. 172: No. 4 in D-Flat Major (Quasi Adagio) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 99 BPM | ||
25 Preludes, Op. 64: No. 9 in E Major: Andantino | César Cui, Jeffrey Biegel | E Major | 0 | 12B | 66 BPM | ||
Variations sérieuses, Op. 54, MWV U156: Variation 14: Adagio | Felix Mendelssohn, Jan Lisiecki | D Major | 0 | 10B | 75 BPM |
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