"Nocturne No.5 in B Flat Major, Op.37" by Gabriel Fauré, Pascal Rogé was released on January 1, 1990. Since Nocturne No.5 in B Flat Major, Op.37 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 14 in Fauré: Piano Music by Gabriel Fauré, Pascal Rogé. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Nocturne No.5 in B Flat Major, Op.37 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nocturne No.5 in B Flat Major, Op.37 by Gabriel Fauré, Pascal Rogé is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scherzo in A-Flat Major | Alexander Borodin, Marco Rapetti | B Major | 2 | 1B | 167 BPM | ||
Prélude en tapisserie | Erik Satie, Pascal Rogé | G Major | 0 | 9B | 136 BPM | ||
Nocturne No. 4 in E-Flat Major, Op. 36 | Gabriel Fauré, Jean Martin | E♭ Major | 0 | 5B | 62 BPM | ||
6 Moments musicaux, Op. 94 D.780: No. 6 in A flat (Allegretto) | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 68 BPM | ||
Lieder ohne Worte, Op.62: No. 1 Andante Espressivo In G, MWV U 185 | Felix Mendelssohn, Daniel Barenboim | G Major | 0 | 9B | 199 BPM | ||
Preludes, Op. 28: No. 23 in F Major, Moderato | Frédéric Chopin, Grigory Sokolov | F Major | 0 | 7B | 70 BPM | ||
Fantasiestücke, Op. 12: II. Aufschwung | Robert Schumann, Daniel Barenboim | F Major | 1 | 7B | 74 BPM | ||
Embryons desséchés | Erik Satie, Pascal Rogé | C Major | 0 | 8B | 68 BPM | ||
Sonata No. 4 in F Sharp Major, Op.30: I. Andante | Alexander Scriabin, Mikhail Pletnev | F♯ Major | 0 | 2B | 106 BPM | ||
Piano Quintet In A, Op.81, B. 155: 3. Scherzo (Furiant) (Molto vivace) | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | A Major | 1 | 11B | 70 BPM |
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