"Atalanta Fugiens: Fugue 29" by Emily Van Evera, Rufus Müller, Richard Wistreich had its release date on January 1, 1986. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Maier: Atalanta Fugiens" album is number 29 out of 50. On top of that, United Kingdom appears to be the country where this track was created. Atalanta Fugiens: Fugue 29 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Atalanta Fugiens: Fugue 29 by Emily Van Evera, Rufus Müller, Richard Wistreich to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Helas Madame: Helas Madame | Henry VIII, Circa 1500, Emily Van Evera | F Major | 1 | 7B | 115 BPM | ||
Vespero della Beata Vergine Maria: Canzon a 3 | Francesco Cavalli, Barbara Borden, Emily Van Evera, Rodrigo Del Pozo, Gerd Türk, Mark Padmore, Markus Brutscher, Harry Van Der Kamp, Peter Zimpel, Concerto Palatino | D Minor | 0 | 7A | 86 BPM | ||
Ave maris stella | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Minor | 0 | 8A | 70 BPM | ||
Handel: Funeral Anthem for Queen Caroline (The Ways of Zion do mourn), HWV 264: No. 3, Chorus, "When the ear heard Him" (Soprano 2, Alto, Tenor, Bass 1, Bass 2) | George Frideric Handel, Emily Van Evera/Timothy Wilson/Anthony Rolfe Johnson/David Thomas/Taverner Players/Andrew Parrott, Andrew Parrott, Taverner Players | B Major | 3 | 1B | 107 BPM | ||
Son of God Mass: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E Major | 2 | 12B | 96 BPM | ||
Baude Cordier: Tout par compas: Tout par compas - Instrumental | Trefoil, Drew Minter, Mark Rimple, Marcia Young | C Major | 0 | 8B | 113 BPM | ||
Threefold Amen | Orlando Gibbons, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 67 BPM | ||
Cantigas de Santa Maria, No. 159: Non Sofre Santa Maria | Alfonso X El Sabio, Esther Lamandier | B Minor | 1 | 10A | 108 BPM | ||
Sanctum Et Immaculata | Monks Of The Abbey Of Notre Dame | E Minor | 0 | 9A | 101 BPM | ||
In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM |