James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan's 'Son of God Mass: Introit' came out on September 6, 2011. With Son of God Mass: Introit being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Whitbourn: Living Voices by James Whitbourn, Westminster Williamson Voices, James Jordan. The song's track number on the album is #1 out of 20 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Son of God Mass: Introit is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Son of God Mass: Introit by James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Son of God Mass: Introit being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgy of St. John Chrysostom: No. 4, Only-Begotten Son (The Hymn of Justinian) | Benedict Sheehan, The Saint Tikhon Choir | F Minor | 1 | 4A | 138 BPM | ||
Phowa | André Carvalho, Oskar Stenmark, Eitan Gofman, Jeremy Powell, Andre Matos, Rodrigo Recabarren | B Minor | 1 | 10A | 101 BPM | ||
Planctus Caravaggio I (Jordi Savall) | Sergi Casademunt, Fahmi Alqhai, Riccardo Minasi, Jordi Savall, F. Heumann, Andrew Lawrence-King, Luca Guglielmi, Xavier Puertas | G Minor | 0 | 6A | 171 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Paul O'Dette | D Minor | 2 | 7A | 87 BPM | ||
Three Sacred Hymns: II. Herr Jesus, Sohn Gottes | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | C Minor | 2 | 5A | 125 BPM | ||
Tantum Ergo | Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Exit Passacaille en si mineur | Rolf Lislevand | D♭ Major | 2 | 3B | 117 BPM | ||
Refrain 3 | Stephen Stubbs | A Minor | 0 | 8A | 88 BPM | ||
Recercadas del Trattado de Glosas: Recercada primera sobre el canto Ilano "La Spagna" | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | D Minor | 0 | 7A | 95 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM |
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