Gabriela Montero's ': Introduction (Interaction with the Public)' came out on December 3, 2010. With : Introduction (Interaction with the Public) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Gabriela Montero's "Live In Germany" album is number 14 out of 30. : Introduction (Interaction with the Public) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of : Introduction (Interaction with the Public) by Gabriela Montero to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Seong-Jin Cho | D♭ Major | 0 | 3B | 135 BPM | ||
6 Pezzi, P. 44: No. 6. Internmezzo-serenata | Ottorino Respighi, Konstantin Scherbakov | A Major | 0 | 11B | 83 BPM | ||
Angelito negro | Antonio Estévez, Gabriela Montero | F♯ Minor | 0 | 11A | 60 BPM | ||
Pastorale | Alberto Ginastera, Gabriela Montero | G Minor | 0 | 6A | 64 BPM | ||
Valse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano) | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Kathryn Stott | A Minor | 0 | 8A | 73 BPM | ||
Lyric Pieces Book II, Op. 38: I. Berceuse | Edvard Grieg, Mikhail Pletnev | D Major | 0 | 10B | 67 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM | ||
El cant dels ocells (Song of the Birds) (version for cello and orchestra) | Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | A Minor | 0 | 8A | 89 BPM | ||
El Loco Juan Carabina | Simón Díaz, Gabriela Montero | B♭ Minor | 1 | 3A | 96 BPM | ||
Montero: Improvisation on the Main Theme of the first movement of Schubert's Symphony No. 8 in B Minor, D. 759, "Unfinished" | Franz Schubert, Gabriela Montero | F Minor | 3 | 4A | 113 BPM |
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