Johann Sebastian Bach, Various/Consortium Musicum/Wolfgang Gönnenwein/Edith Mathis/Sybil Michelow, Wolfgang Gönnenwein, Consortium Musicum's 'Bach: Cantata "Jesu, der du meine Seele", BWV 78: No. 2, Duet "Wir eilen mit schwachen" (Soprano, Alto)' came out on 2006. With this song being about 5 minutes long, at 5:14, "Bach: Cantata "Jesu, der du meine Seele", BWV 78: No. 2, Duet "Wir eilen mit schwachen" (Soprano, Alto)" by Johann Sebastian Bach, Various/Consortium Musicum/Wolfgang Gönnenwein/Edith Mathis/Sybil Michelow, Wolfgang Gönnenwein, Consortium Musicum is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 100 in Alle 100 Goed: Bach by Johann Sebastian Bach, Various Artists. In terms of popularity, Bach: Cantata "Jesu, der du meine Seele", BWV 78: No. 2, Duet "Wir eilen mit schwachen" (Soprano, Alto) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach: Cantata "Jesu, der du meine Seele", BWV 78: No. 2, Duet "Wir eilen mit schwachen" (Soprano, Alto) by Johann Sebastian Bach, Various/Consortium Musicum/Wolfgang Gönnenwein/Edith Mathis/Sybil Michelow, Wolfgang Gönnenwein, Consortium Musicum is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Vivaldi - Concerto in D Major "Grosso Mogul" RV 208: I Allegro | Antonio Vivaldi, Viktoria Mullova, Il Giardino Armonico, Giovanni Antonini | D♭ Major | 2 | 3B | 126 BPM | ||
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
Cello Concerto in E Minor, RV 409: III. Allegro | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | E Minor | 1 | 9A | 142 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM | ||
Concerto for 2 Mandolins, Strings and Continuo in G Major, RV. 532: I. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | A♭ Minor | 3 | 1A | 80 BPM | ||
Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 1 | 3B | 69 BPM |
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