Dido and Aeneas, Z. 626: Act III: Sorceress: Our next motion - Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble Information

Acousticness: 98%
Danceability: 40%
Energy: 12%
Instrumentalness: 0%
Liveness: 20%
Loudness: 74%
Speechiness: 15%
Valence: 62%
Popularity: 1%
Loudness: -15.619 dB

Summary

Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble made "Dido and Aeneas, Z. 626: Act III: Sorceress: Our next motion" available on May 14, 1997. With Dido and Aeneas, Z. 626: Act III: Sorceress: Our next motion being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 41 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #34. The popularity of Dido and Aeneas, Z. 626: Act III: Sorceress: Our next motion is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Dido and Aeneas, Z. 626: Act III: Sorceress: Our next motion BPM

With Dido and Aeneas, Z. 626: Act III: Sorceress: Our next motion by Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble having a BPM of 179 with a half-time of 90 BPM and a double-time of 358 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Dido and Aeneas, Z. 626: Act III: Sorceress: Our next motion Key

This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai	Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt	E Major	2	12B	107 BPM
Sinfonia in E major, RV 132: II. Andante	Karoly Botvay	A Major	0	11B	79 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
Requiem in C Minor: II. Graduale	Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala	G Minor	1	6A	105 BPM
Pergolesi: Stabat mater: XII. Quando corpus morietur	Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti	A Minor	0	8A	73 BPM
Concerto in A Minor for Flute and Strings: I. Allegro	Michel Blavet, Dorothee Oberlinger	A♭ Minor	2	1A	116 BPM
Flute Concerto No. 1 in G Major: I. Spiritoso	Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger	D Major	2	10B	112 BPM
Première Suite: Prélude	Jordi Savall, Ton Koopman, Ariane Maurette	F Major	0	7B	80 BPM
Concerto For Harp In B-Flat Major: I. Andante Allegro	George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon	A Major	1	11B	94 BPM
Fly, Bold Rebellion, Z. 324: Be Welcome then, Great Sir	Henry Purcell, Paul O'Dette, Drew Minter, Mary Springfels, Mitzi Meyerson	D♭ Major	1	3B	145 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6254532337188721

End: 0.6302151679992676