Silvius Leopold Weiss, Lutz Kirchhof made "Praeludium, Courante, Fuga & Presto in D Minor: III. Fuga" available on 1992. The duration of Praeludium, Courante, Fuga & Presto in D Minor: III. Fuga is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Praeludium, Courante, Fuga & Presto in D Minor: III. Fuga's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weiss: Lute Works, Vols. I & II by Silvius Leopold Weiss, Lutz Kirchhof. The song's track number on the album is #13 out of 47 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Praeludium, Courante, Fuga & Presto in D Minor: III. Fuga is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Praeludium, Courante, Fuga & Presto in D Minor: III. Fuga by Silvius Leopold Weiss, Lutz Kirchhof has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Praeludium, Courante, Fuga & Presto in D Minor: III. Fuga being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Little Consort in Two Parts for Severall Friends in C minor-major: III. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Recercar | Stephen Stubbs | F♯ Minor | 0 | 11A | 109 BPM | ||
Estudio in B Minor "Homenaje a Bach" | Agustín Barrios Mangoré, Celil Refik Kaya | B Minor | 1 | 10A | 111 BPM | ||
Sonata in D Minor, Kk. 89: II. Grave (Transcr. for Mandolin and Basso continuo) | Domenico Scarlatti, Avi Avital, Yizhar Karshon, Ophira Zakai, Patric Zepec | D Minor | 0 | 7A | 106 BPM | ||
Volta | Michelangelo Galilei, Jakob Lindberg | A♭ Major | 0 | 4B | 176 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
Concert en e mi la: V. Menüet | Francesco Corbetta, Simone Vallerotonda, Bor Zuljan | E♭ Minor | 1 | 2A | 103 BPM | ||
Pieces in D Minor: IV. Contredance La Furstemberg | Henry Purcell, Jakob Lindberg | D Minor | 0 | 7A | 93 BPM | ||
Armoniosi toni di varie suonate musicali, Op. 7: Tocatta | Giovanni Battista Granata, Pierre Pitzl, Private Musicke | A♭ Minor | 0 | 1A | 135 BPM |
Section: 0.6374154090881348
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