"Constellations, Act II Scene 1: I think her function is completed" by Efraín Amaya, Arts Crossing Chamber Orchestra, Raquel Winnica Young, Dan Kempson was released on December 15, 2020. With Constellations, Act II Scene 1: I think her function is completed being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 26 out of 37 in Constellations - A Chamber Opera by Efraín Amaya, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Constellations, Act II Scene 1: I think her function is completed is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Constellations, Act II Scene 1: I think her function is completed by Efraín Amaya, Arts Crossing Chamber Orchestra, Raquel Winnica Young, Dan Kempson is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D Minor, Op. 48: Offertoire | Gabriel Fauré, Tenebrae, William Gaunt, LSO Chamber Ensemble, Nigel Short | D Major | 0 | 10B | 74 BPM | ||
Tavener: Requiem: IV. Kali's Dance | John Tavener, Vasily Petrenko, Josephine Knight, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra | F Major | 1 | 7B | 86 BPM | ||
Elégie | Erik Satie, Eva Lind, Jean Lemaire | B Major | 2 | 1B | 91 BPM | ||
Rusalka, Op. 114 / Act 1: Hastrmánku, taticku! | Antonín Dvořák, Renée Fleming, Franz Hawlata, Czech Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 1 | 5B | 72 BPM | ||
El Amor brujo: Quadre Primer: Romance del pescador | Manuel de Falla, Ginesa Ortega, Orquestra De Cambra Teatre Lliure, Josep Pons | D Minor | 0 | 7A | 84 BPM | ||
Tannhäuser / Act 3: Wie Todesahnung... O du mein holder Abendstern (Wolfram) | Richard Wagner, Bryn Terfel, Metropolitan Opera Orchestra, James Levine | C Major | 3 | 8B | 99 BPM | ||
Amazing Grace (Arr. for Treble and Harp) | Traditional, Malakai, Cecily Beer | G Major | 0 | 9B | 82 BPM | ||
Il Dolce Suono (The 5th Element) | Opera Divas | A♭ Major | 1 | 4B | 79 BPM | ||
Wagner: Tannhäuser, Act 3: "Wie Todesahnung, Dämmrung deckt die Lande" (Wolfram) | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin, Thomas Hampson | E Major | 0 | 12B | 129 BPM | ||
Carmina Burana: Olim lacus colueram | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | D Major | 1 | 10B | 83 BPM |
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