On April 1, 2016, the song "Viotti: Violin Concerto No. 22 in A Minor, G. 97: II. Adagio" was released by Giovanni Battista Viotti, Yehudi Menuhin, Menuhin Festival Orchestra. Since Viotti: Violin Concerto No. 22 in A Minor, G. 97: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Yehudi Menuhin's "Le violon du siècle" album is number 4 out of 39. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Viotti: Violin Concerto No. 22 in A Minor, G. 97: II. Adagio is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Viotti: Violin Concerto No. 22 in A Minor, G. 97: II. Adagio by Giovanni Battista Viotti, Yehudi Menuhin, Menuhin Festival Orchestra to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La vestale, Act I: Marche pour le départ des Vestales | Gaspare Spontini, Les Talens Lyriques, Christophe Rousset | B♭ Major | 3 | 6B | 78 BPM | ||
Concerto a due cori No. 2, HWV 333: II. Allegro | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 3 | 10A | 116 BPM | ||
25 Ètudes Faciles Et Progressives, Op. 100: XVII. Babillarde | Franz Burgmüller, Benedikt David | F Major | 2 | 7B | 181 BPM | ||
La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 2 | 11B | 111 BPM | ||
Symphony in G Major, Eisen G8: II. Andante | Leopold Mozart, Toronto Chamber Orchestra, Kevin Mallon | G Minor | 0 | 6A | 111 BPM | ||
Violin Concerto No. 16 in E Minor, G. 85: II. Adagio | Giovanni Battista Viotti, Franco Mezzena, Symphonia Perusina | E Major | 1 | 12B | 71 BPM | ||
Kuhlau: Sonatina in C Major, op. 20 no. 1, III. Rondo: Allegro | Friedrich Kuhlau, David Ernst Molnar | G Major | 1 | 9B | 123 BPM | ||
Piano Sonatina in C Major, op.55, No.1: I. Allegro | Friedrich Kuhlau, Maximilian Schairer | G Major | 1 | 9B | 130 BPM | ||
Keyboard Sonata in A Major, Op. 1 No. 5: II. Tempo di minuetto. Grazioso | Muzio Clementi, HyeJin Kim | F Major | 1 | 7B | 112 BPM | ||
Concerto a due cori No. 2, HWV 333: V. Allegro ma non troppo – Adagio | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 4 | 6B | 122 BPM |
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