"Requiem in B-Flat Minor, Op. 89, B. 165: II. Graduale" by Antonín Dvořák, Gabriela Beňačková, Czech Philharmonic Orchestra, Prague Philharmonic Choir, Wolfgang Sawallisch, Lubomir Matl was released on 1985. With this song being about 5 minutes long, at 4:58, "Requiem in B-Flat Minor, Op. 89, B. 165: II. Graduale" by Antonín Dvořák, Gabriela Beňačková, Czech Philharmonic Orchestra, Prague Philharmonic Choir, Wolfgang Sawallisch, Lubomir Matl is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 13 in Dvořák: Requiem by Antonín Dvořák, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Czechia. Based on our statistics, Requiem in B-Flat Minor, Op. 89, B. 165: II. Graduale's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem in B-Flat Minor, Op. 89, B. 165: II. Graduale by Antonín Dvořák, Gabriela Beňačková, Czech Philharmonic Orchestra, Prague Philharmonic Choir, Wolfgang Sawallisch, Lubomir Matl is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | D Minor | 0 | 7A | 87 BPM | ||
Slavonic March, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Russian National Orchestra, Mikhail Pletnev | B♭ Minor | 2 | 3A | 110 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Masquerade (Suite): 1. Waltz - Excerpt | Aram Khachaturian, London Symphony Orchestra, Stanley Black | C Major | 3 | 8B | 67 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Waltz No. 10 in B Minor, Op. 69, No. 2 | Frédéric Chopin, Idil Biret | B Minor | 0 | 10A | 155 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM |
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