"Act I - Messenger - Recitative; Irene - Recitative, Aria" by Handel, Amor Artis Chorale, English Chamber Orchestra was released on October 14, 2008. With this song being about 5 minutes long, at 4:39, "Act I - Messenger - Recitative; Irene - Recitative, Aria" by Handel, Amor Artis Chorale, English Chamber Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Handel, Amor Artis Chorale, English Chamber Orchestra's "Handel: Theodora" album is number 10 out of 47. On top of that, United States appears to be the country where this track was created. Act I - Messenger - Recitative; Irene - Recitative, Aria is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Act I - Messenger - Recitative; Irene - Recitative, Aria by Handel, Amor Artis Chorale, English Chamber Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Water Music Suite No. 3 In G - 2021 Digitally Remastered | Handel, Moscow Chamber Orchestra, USSR Symphony Orchestra, Leningrad Brass Ensemble, Vladimir Fedoseyev | C Major | 2 | 8B | 106 BPM | ||
Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Pierre-Laurent Aimard, Nikolaus Harnoncourt, Chamber Orchestra of Europe | B Major | 0 | 1B | 97 BPM | ||
Requiem, Op. 48: VI. Agnus Dei | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | D Minor | 1 | 7A | 69 BPM | ||
Partie 2 en ut mineur: Gigue | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | B Minor | 3 | 10A | 194 BPM | ||
Concerto Grosso In G Minor, Op. 3, No. 2, RV 578: I. Adagio E Spiccato - Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
The Four Seasons - Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | C Major | 1 | 8B | 144 BPM | ||
Theodora, HWV 68: Recitative: But why art thou disquieted; Air: Oh, that I on wings could rise | Handel, English Chamb Orch, Maureen Lehane* E Minor | 2 | 9A | 173 BPM | | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM |
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