"Wieniawski: Violin Concerto No. 2 in D Minor, Op. 22: II. Romance. Andante, ma non troppo" by Henryk Wieniawski, Janusz Wawrowski, Daniel Raiskin, Stuttgart Philharmonic Orchestra was released on November 10, 2017. With this song being about 5 minutes long, at 5:00, "Wieniawski: Violin Concerto No. 2 in D Minor, Op. 22: II. Romance. Andante, ma non troppo" by Henryk Wieniawski, Janusz Wawrowski, Daniel Raiskin, Stuttgart Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 7 in Brillante by Janusz Wawrowski. Going off of the ISRC code of this track, we detected that the origin of this track is from Poland. In terms of popularity, Wieniawski: Violin Concerto No. 2 in D Minor, Op. 22: II. Romance. Andante, ma non troppo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wieniawski: Violin Concerto No. 2 in D Minor, Op. 22: II. Romance. Andante, ma non troppo by Henryk Wieniawski, Janusz Wawrowski, Daniel Raiskin, Stuttgart Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": IV. Presto | Franz Schubert, Jerusalem Quartet | D Minor | 1 | 7A | 91 BPM | ||
Spanish Dances, Op. 21: No. 1. Malaguena | Pablo de Sarasate, L. Edvin Csury, Bela Simon | D Major | 1 | 10B | 130 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D Major | 3 | 10B | 112 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau | Johann Sebastian Bach, Hilary Hahn | E Major | 1 | 12B | 112 BPM | ||
Wieniawski: Obertas | Henryk Wieniawski, Piotr Janowski, Wolfgang Plagge | C Minor | 0 | 5A | 101 BPM | ||
Violin Concerto No.1 in D, Op.6: 2. Adagio | Niccolò Paganini, Gil Shaham, New York Philharmonic, Giuseppe Sinopoli | B Minor | 1 | 10A | 92 BPM | ||
Valses nobles, D 969 (Op.77): Valse No.3 | Franz Schubert, Gil Shaham, Göran Söllscher | C Major | 1 | 8B | 82 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | G Major | 0 | 9B | 88 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |
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