Pyotr Ilyich Tchaikovsky, Paavo Järvi, Orchestre Philharmonique de Radio France's 'Tchaikovsky: Eugene Onegin, Op. 24, Act 3: Polonaise' came out on February 10, 2004. With this song being about 5 minutes long, at 4:54, "Tchaikovsky: Eugene Onegin, Op. 24, Act 3: Polonaise" by Pyotr Ilyich Tchaikovsky, Paavo Järvi, Orchestre Philharmonique de Radio France is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 18 in Ballets Russes by Paavo Järvi. In terms of popularity, Tchaikovsky: Eugene Onegin, Op. 24, Act 3: Polonaise is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Tchaikovsky: Eugene Onegin, Op. 24, Act 3: Polonaise by Pyotr Ilyich Tchaikovsky, Paavo Järvi, Orchestre Philharmonique de Radio France is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Nouvelles etudes, Op. posth.: II. Etude No. 26 in A-Flat Major | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 74 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
Divertimento in D Major, K. 136, "Salzburg Symphony No. 1": I. Allegro | Wolfgang Amadeus Mozart, Munich Radio Orchestra, Ulf Schirmer | D Major | 2 | 10B | 137 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
Waltz No. 19 in A minor, Op. posth. | Frédéric Chopin, Peter Jablonski | A Minor | 0 | 8A | 69 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Liebestraume, S541/R211 : No. 3: Nocturne in A-Flat Major | Franz Liszt, Jenő Jandó | A♭ Major | 0 | 4B | 60 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM |
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