"Tableaux de Provence (arr. for saxophone and orchestra): II. Cansoun per ma mio" by Paule Maurice, Claude Delangle, Singapore Symphony Orchestra, Lan Shui was released on April 1, 2007. With Tableaux de Provence (arr. for saxophone and orchestra): II. Cansoun per ma mio being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Claude Delangle, Lan Shui's "Ibert / Tomasi / Ravel / Maurice / Schmitt / Milhaud: Works for Saxophone and Orchestra" album is number 7 out of 14. Tableaux de Provence (arr. for saxophone and orchestra): II. Cansoun per ma mio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tableaux de Provence (arr. for saxophone and orchestra): II. Cansoun per ma mio by Paule Maurice, Claude Delangle, Singapore Symphony Orchestra, Lan Shui to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Promenade "Walking the Dog" - Version for Saxophone and Piano by Andreas Mader | Joseph Moog, Andreas Mader | C Major | 1 | 8B | 127 BPM | ||
Tchaikovsky: Suite from Pique Dame (Arr. for Trombone and Piano): III | Pyotr Ilyich Tchaikovsky, Christian Lindberg, Roland Pöntinen | D♭ Major | 4 | 3B | 106 BPM | ||
Rhapsody for Clarinet | Willson Osborne, Karl Leister | D♭ Major | 0 | 3B | 143 BPM | ||
Tableaux de provence: I. Farandoulo di Chatouno | Paule Maurice, Joël Versavaud, Laura Caravello | D Minor | 2 | 7A | 74 BPM | ||
Natko Devčić: Istrian Suite: II. Leaping Dance | Natko Devcic, Muenchner Rundfunkorchester, Ivan Repušić, Munich Radio Orchestra | F Minor | 2 | 4A | 80 BPM | ||
Siegfried-Idyll, WWV 103 - Clarinet Solo | Richard Wagner, Luigi Magistrelli | D Major | 0 | 10B | 101 BPM | ||
Adagio-Tarantella | United States Coast Guard Band, Chief Musician Ralph R. Loomis | D Major | 0 | 10B | 69 BPM | ||
Clarinet Quintet: I. Funny Siciliana | Jan van Landeghem, Eddy Vanoosthuyse, Zemlinsky Quartet | G Minor | 1 | 6A | 182 BPM | ||
Ma mère l'oye (Cinq pièces enfantines), M. 62: I. Pavane de la Belle au bois dormant | Maurice Ravel, Paavo Järvi, Cincinnati Symphony Orchestra | C Major | 0 | 8B | 76 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movement | Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | C Major | 0 | 8B | 84 BPM |
Section: 0.9902303218841553
End: 0.9941494464874268