On January 1, 2007, the song "Flute Sonata in G Major, Op. 9, No. 7: II. Allegro ma non troppo" was released by Jean-Marie Leclair, Barthold Kuijken, Wieland Kuijken, Robert Kohnen. The duration of Flute Sonata in G Major, Op. 9, No. 7: II. Allegro ma non troppo is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Flute Sonata in G Major, Op. 9, No. 7: II. Allegro ma non troppo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 50 in Flute Music (French and Italian 18Th Century) - Monteclair, M.P. / Blavet, M. / Guignon, J.-P. / Boismortier, J.B. / Leclair, J.-M. by Barthold Kuijken. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Flute Sonata in G Major, Op. 9, No. 7: II. Allegro ma non troppo's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Flute Sonata in G Major, Op. 9, No. 7: II. Allegro ma non troppo by Jean-Marie Leclair, Barthold Kuijken, Wieland Kuijken, Robert Kohnen is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in F Minor, TWV 51:f2: II. Largo | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | E Minor | 1 | 9A | 81 BPM | ||
Sonata No. 3 in A Minor, RV 43, Op. 14: I. Largo | Antonio Vivaldi, Jaap Ter Linden, Lars Ulrik Mortensen, Judith-Maria Becker | A♭ Minor | 0 | 1A | 77 BPM | ||
Oboe Quartet in D Minor: I. Poco allegro | Johann Friedrich Fasch, Epoca Barocca | D♭ Minor | 2 | 12A | 101 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 180 BPM | ||
Concerto Grosso in A Minor, Op. 3, No. 2: II. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 108 BPM | ||
Concerto in G major Seibel 217: 3. Grave | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 126 BPM | ||
Leclair: Violin Concerto in D Major, Op. 7 No. 2: II. Adagio | Jean-Marie Leclair, Jean-François Paillard, Gerard Jarry, Orchestre de chambre Jean-François Paillard | F♯ Major | 3 | 2B | 109 BPM | ||
Scylla et Glaucus, Op. 11, Act I: Non, je ne cesserai jamai | Jean-Marie Leclair, d’Albaret, Judith van Wanroij, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 0 | 2B | 123 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Ich hatte viel Bekümmernis, BWV 21: Ich hatte viel Bekummernis, BWV 21: Sinfonia | Johann Sebastian Bach, Il Gardellino | B Minor | 2 | 10A | 65 BPM |
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