George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown's 'Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: V. Siciliana: Andante' came out on January 1, 2000. The duration of Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: V. Siciliana: Andante is about 3 minutes long, at 3:12. Based on our data, "Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: V. Siciliana: Andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel's "Handel: Concerto Grosso Op. 6, Nos. 1, 2, 8, 9, 10 and 12" album is number 14 out of 32. On top of that, Germany appears to be the country where this track was created. Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: V. Siciliana: Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: V. Siciliana: Andante by George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia a 3 in G major: III. Allegrissimo | Domenico Scarlatti, Raffaello Negri/Lorenzo Colitto/Maurizio Naddeo/Europa Galante/Fabio Biondi | F♯ Major | 3 | 2B | 135 BPM | ||
Symphony No. 4 in D, K.19: 1. Allegro | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 136 BPM | ||
Albinoni: Oboe Concerto in B-Flat Major, Op. 9 No. 11: I. Allegro | Tomaso Albinoni, Claudio Scimone, Pierre Pierlot, I Solisti Veneti | D Major | 3 | 10B | 104 BPM | ||
Concerto, D-Major, For Strings And Organ, RV 124: II. Grave | Musici di San Marco, Alberto Lizzio | B♭ Minor | 0 | 3A | 143 BPM | ||
Förster: Horn Concerto in E-Flat Major: II. Adagio | Christoph Förster, Barry Tuckwell | C Minor | 0 | 5A | 63 BPM | ||
Concerto Grosso in G Major, Op. 6, No. 1, HWV 319: III. Adagio | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, David Reichenberg, Sophia McKenna, Jeremy Ward, Robert Woolley, Trevor Pinnock, The English Concert | D♭ Major | 1 | 3B | 86 BPM | ||
Concerto grosso in F, Op. 3, No. 4bis: 2. Allegro | George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable | G Minor | 2 | 6A | 83 BPM | ||
Concerto pour violoncelle No. 6 en ré majeur, G. 479: I. Allegro | Luigi Boccherini, Ophélie Gaillard, Pulcinella Orchestra | A Major | 1 | 11B | 82 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: I. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 108 BPM | ||
Concerto a cinque No. 11, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 2 | 11A | 65 BPM |
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