"The Mission: I. Gabriel’s Oboe" by Ennio Morricone, Marco Serino, Orchestra Haydn di Bolzano e Trento, Andrea Morricone was released on January 14, 2022. The duration of The Mission: I. Gabriel’s Oboe is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. The Mission: I. Gabriel’s Oboe's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kinga Ujszászi, Tom Foster, Dmitri Shostakovich, Novus Quartet, Johann Sebastian Bach, Anthony Romaniuk, Toshiyuki Shibata, Ennio Morricone, Marco Serino, Orchestra Haydn di Bolzano e Trento, Andrea Morricone's "Morricone: Cinema Suites for Violin and Orchestra" album is number 14 out of 21. On top of that, France appears to be the country where this track was created. The Mission: I. Gabriel’s Oboe is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Mission: I. Gabriel’s Oboe by Ennio Morricone, Marco Serino, Orchestra Haydn di Bolzano e Trento, Andrea Morricone to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
GoldBergHain (Quodlibet on "Kraut und Rüben haben mich vertrieben") for Violin & String Orchestra | Stephan Koncz, Niklas Liepe, NDR Radiophilharmonie, Jamie Phillips | G Major | 1 | 9B | 117 BPM | ||
Casta Diva from Norma | Vincenzo Bellini, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 177 BPM | ||
La lettre de Frantz | Philippe Rombi | B♭ Minor | 1 | 3A | 171 BPM | ||
The Long Day Closes: II. An Unquiet Day | Milo Paulus | E Major | 2 | 12B | 107 BPM | ||
Concerto en ré mineur, bwv974 - Adagio (d'après Marcello) | Élise Robineau | D Minor | 0 | 7A | 83 BPM | ||
Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
Anthem of the Eternal | AKIRA HONDA | C Minor | 2 | 5A | 118 BPM | ||
Belgravia | John Lunn, The Chamber Orchestra Of London | E Minor | 1 | 9A | 160 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Tema di Jane Eyre | Claudio Capponi, Alessio Vlad | A Major | 2 | 11B | 81 BPM |
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