Ralph Vaughan Williams, André Previn, London Symphony Orchestra's 'Concerto for Bass Tuba and Orchestra in F Minor, IRV. 92: I. Allegro moderato' came out on 1972. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vaughan Williams: Pastoral Symphony (Symphony No. 3), IRV. 57 & Concerto for Bass Tuba and Orchestra in F Minor, IRV. 92 by Ralph Vaughan Williams, André Previn, London Symphony Orchestra. The song's track number on the album is #5 out of 7 tracks. In terms of popularity, Concerto for Bass Tuba and Orchestra in F Minor, IRV. 92: I. Allegro moderato is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Concerto for Bass Tuba and Orchestra in F Minor, IRV. 92: I. Allegro moderato by Ralph Vaughan Williams, André Previn, London Symphony Orchestra has a tempo of 105 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto for Bass Tuba and Orchestra in F Minor, IRV. 92: I. Allegro moderato being at 105 BPM, the half-time would be 52 BPM with a double-time of 210 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
End Credits | James Horner, London Symphony Orchestra | G Major | 0 | 9B | 62 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
My Neighbour TOTORO | Joe Hisaishi, London Symphony Orchestra | C Major | 2 | 8B | 130 BPM | ||
Parade of the Ewoks | John Williams, London Symphony Orchestra | F Major | 2 | 7B | 118 BPM | ||
Yoda's Theme | John Williams, London Symphony Orchestra | C Major | 1 | 8B | 78 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
War Requiem, Op. 66 / Dies irae: IIa. Dies irae | Benjamin Britten, London Symphony Chorus, The Bach Choir, London Symphony Orchestra | G Major | 1 | 9B | 81 BPM | ||
The Adventures of Robin Hood- Robin Hood and His Merry Men | Erich Wolfgang Korngold, London Symphony Orchestra, John Williams | F Major | 2 | 7B | 118 BPM | ||
Prokofiev: Cinderella, Op. 87, Act 1: No. 7, The Dancing Lesson (Allegretto) | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Minor | 0 | 8A | 135 BPM |
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