"Carmen, WD 31, Act I: Chorus of Cigarette Girls. La cloche a sonné" by Georges Bizet, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers was released on January 1, 1978. With this song being about 5 minutes long, at 5:11, "Carmen, WD 31, Act I: Chorus of Cigarette Girls. La cloche a sonné" by Georges Bizet, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 49 in Bizet: Carmen by Georges Bizet, Teresa Berganza, Plácido Domingo, Ileana Cotrubas, Sherrill Milnes, Ambrosian Singers, London Symphony Orchestra, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Carmen, WD 31, Act I: Chorus of Cigarette Girls. La cloche a sonné is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen, WD 31, Act I: Chorus of Cigarette Girls. La cloche a sonné by Georges Bizet, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Act I, No.2 : Scène et Choeur: Sur la place, chacun passe, chacun vient, chacun va (Moralès/Dragons) | Georges Bizet, Ludovic Tézier/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | B♭ Major | 1 | 6B | 107 BPM | ||
Holberg Suite, Op. 40: 1. Präludium (Allegro vivace) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 135 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM | ||
Adagio in E Major, K. 261 | Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Bizet: Carmen, WD 31, Act 3, Scene 1: "Quant au douanier, c'est notre affaire !" (Frasquita, Mercedes, Carmen, Chœur, Le Remendado, Le Dancaïre) | Georges Bizet, Giuseppe Sinopoli, Chor der Bayerischen Staatsoper, Jan Zinkler, Jennifer Larmore, Natascha Petrinsky, Nathalie Boissy, Ulrich Ress, Bavarian State Orchestra | F♯ Major | 1 | 2B | 118 BPM | ||
Egmont Overture, Op. 84 - Remastered | Ludwig van Beethoven, George Szell, Cleveland Orchestra | F Minor | 1 | 4A | 83 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Polka Italienne | La Sinfónica Clásica | E♭ Major | 2 | 5B | 126 BPM |
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