Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker made "Mozart: Don Giovanni, K. 527, Act 1 Scene 20: "Ecco il birbo che t'ha offesa" (Don Giovanni, Leporello, Don Ottavio, Donna Elvira, Donna Anna, Zerlina, Masetto)" available on October 31, 1988. With Mozart: Don Giovanni, K. 527, Act 1 Scene 20: "Ecco il birbo che t'ha offesa" (Don Giovanni, Leporello, Don Ottavio, Donna Elvira, Donna Anna, Zerlina, Masetto) being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 13 out of 214. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mozart: Don Giovanni, K. 527, Act 1 Scene 20: "Ecco il birbo che t'ha offesa" (Don Giovanni, Leporello, Don Ottavio, Donna Elvira, Donna Anna, Zerlina, Masetto) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 1 Scene 20: "Ecco il birbo che t'ha offesa" (Don Giovanni, Leporello, Don Ottavio, Donna Elvira, Donna Anna, Zerlina, Masetto) by Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma (1997 Digital Remaster), ACT 1, Scene 1: Fine al rito e il sacro bosco (Norma/Oroveso/Coro) | Vincenzo Bellini, Maria Callas, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | B♭ Major | 1 | 6B | 57 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 8: Aria - Aprite Un Po' Quegl'occhi | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Roberto Frontali, Ingrid Kertesi, Hungarian State Opera Orchestra, Maria Pia Ionata, Natale de Carolis, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | E♭ Major | 3 | 5B | 131 BPM | ||
La Traviata / Act 2: "Non sapete quale affetto" | Giuseppe Verdi, Ileana Cotrubas, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 117 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Ah! taci, ingiusto core" | Wolfgang Amadeus Mozart, Joyce DiDonato, Luca Pisaroni, Ildebrando D'Arcangelo, Mahler Chamber Orchestra, Yannick Nézet-Séguin | E♭ Minor | 2 | 2A | 121 BPM | ||
Verdi: Aida, Act 2: "O Re, pei sacri numi" (Radamès, Il Re, Amneris, Sacerdoti, Popolo, Ramfis) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | F♯ Major | 2 | 2B | 87 BPM | ||
La Traviata / Act 2: "Pura siccome un angelo" | Giuseppe Verdi, Ileana Cotrubas, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 1 | 4B | 78 BPM | ||
Verdi: Aida, Act 4: "A lui vivo, la tomba!" (Ramfis, Sacerdoti, Amneris) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | A Minor | 3 | 8A | 90 BPM | ||
La Bohème / Act 2: "Arranci, datteri!" | Giacomo Puccini, Rolando Panerai, Gianni Maffeo, Luciano Pavarotti, Mirella Freni, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | F Major | 5 | 7B | 108 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Recitativo - E Susanna Non Vien! | Donato Di Stefano, Maria Pia Ionata, Hungarian State Opera Orchestra, Roberto Frontali, Natale de Carolis, Jozsef Mukk, Patrizia Pace, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | A Minor | 0 | 8A | 73 BPM | ||
La traviata / Act 2: "Avrem lieta di maschere la notte" | Giuseppe Verdi, Helene Schneiderman, Herman Wallen, Luigi Roni, Wiener Philharmoniker, Carlo Rizzi | C Major | 2 | 8B | 94 BPM |
Section: 0.7867095470428467
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