"West Side Story: Jets - Arr. for Piano" by Leonard Bernstein, Cyprien Katsaris was released on November 15, 2014. The duration of West Side Story: Jets - Arr. for Piano is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. West Side Story: Jets - Arr. for Piano's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 111 Piano Hits - Vol. 5 (World Premiere Recordings), so we believe that "West Side Story: Jets - Arr. for Piano" is a single. Based on our statistics, West Side Story: Jets - Arr. for Piano's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of West Side Story: Jets - Arr. for Piano by Leonard Bernstein, Cyprien Katsaris is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Symphony No. 1 in G Minor: II. Andante commodamente | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 0 | 5B | 75 BPM | ||
Molly on the Shore, BFMS 23 (Version for Wind Ensemble) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | D♭ Major | 3 | 3B | 110 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Saraband | Benjamin Britten, English Chamber Orchestra | G Minor | 1 | 6A | 82 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Moderato - Poco piu mosso (Allegro moderato) - Sostenuto - L'istesso tempo - Poco piu mosso | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 122 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.2 in E Minor (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 138 BPM | ||
Symphony No. 2 in D Major, Op. 43: IV. Finale. Allegro moderato | Jean Sibelius, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 86 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 125 BPM |
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