"Tango, Op.165, No.2" by Isaac Albéniz, Arthur Grumiaux, Istvan Hajdu was released on January 1, 1995. The duration of Tango, Op.165, No.2 is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Tango, Op.165, No.2's duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 40 in Favourite Violin Encores by Arthur Grumiaux, Istvan Hajdu. In terms of popularity, Tango, Op.165, No.2 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tango, Op.165, No.2 by Isaac Albéniz, Arthur Grumiaux, Istvan Hajdu is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elegie: Elegy | Johann Kaspar Mertz, Gabriel Bianco | A Minor | 0 | 8A | 133 BPM | ||
16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | ||
Concerto For 4 Violins In B Minor, Op. 3, No. 10, RV 580 : I. Allegro | Antonio Vivaldi, Capella Istropolitana | B Minor | 3 | 10A | 107 BPM | ||
Adelita, Mazurka | Philip Hemmo | E Major | 1 | 12B | 93 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Song without Words, Op. 19, No. 6, Venetian Boat Song I | Felix Mendelssohn, Gerald Garcia | D Minor | 0 | 7A | 133 BPM | ||
Romanza in Am | Niccolò Paganini, Niklas Johansen | A Minor | 0 | 8A | 79 BPM | ||
Pavane, Op. 50 (arr. H. Busser for cello and piano) | Gabriel Fauré, Henri Büsser, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 149 BPM | ||
Oriental (Arr. for Harp & Guitar) | Enrique Granados, Duo Multicorde | E Minor | 0 | 9A | 92 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM |
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