"Turandot: Nessun Dorma" by Jussi Björling, Erich Leinsdorf, Orchestra of the Rome was released on March 3, 1931. The duration of Turandot: Nessun Dorma is about 3 minutes long, at 3:27. Based on our data, "Turandot: Nessun Dorma" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 114 in the song's album "Presenting Jussi Björling". In this album, this song's track order is #54. Furthermore, we believe that the track originated from Germany. Turandot: Nessun Dorma is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turandot: Nessun Dorma by Jussi Björling, Erich Leinsdorf, Orchestra of the Rome having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ett folk, Op. 22: Sverige | Wilhelm Stenhammar, Jussi Björling, Nils Grevillius | G Major | 3 | 9B | 92 BPM | ||
L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM | ||
Kärlekens tid | Benny Anderssons Orkester, Helen Sjöholm, Duvemålakören | D Minor | 2 | 7A | 83 BPM | ||
La Gioconda, Act IV: Suicido! … | Amilcare Ponchielli, Maria Callas, RAI Symphony Orchestra, Turin, Antonino Votto | D Major | 1 | 10B | 86 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
Faust, CG 4, Faust, Act I: Cavatina. Avant de quitter ces lieux | Charles Gounod, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 101 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 2: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | E Minor | 2 | 9A | 166 BPM | ||
Verdi's Un Ballo In Maschera - Di Tu Se Fedele | Jussi Björling | D♭ Minor | 2 | 12A | 92 BPM | ||
Recitar!, Act 1 | Ruggero Leoncavallo, Jussi Björling | B♭ Major | 3 | 6B | 129 BPM |
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