Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke, Mady Rahl, Fritz Rasp, Ernst Fritz Fürbringer, Herbert Ernst Groh, Brigitte Mira, Willy Hofmann, Benno Kusche, Esther Rethy made "Arizona Lady: Act II - '' Dialog '', No. 16" available on November 24, 2011. The duration of Arizona Lady: Act II - '' Dialog '', No. 16 is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Arizona Lady: Act II - '' Dialog '', No. 16's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Kalmann: Arizona Lady" album is number 34 out of 45. Based on our statistics, Arizona Lady: Act II - '' Dialog '', No. 16's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Arizona Lady: Act II - '' Dialog '', No. 16 by Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke, Mady Rahl, Fritz Rasp, Ernst Fritz Fürbringer, Herbert Ernst Groh, Brigitte Mira, Willy Hofmann, Benno Kusche, Esther Rethy to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mathis Der Maler, 6th Tableau, Scene 1: Der liebste Vater, eer verstand mich (Regina/Mathis) | Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | G Minor | 0 | 6A | 87 BPM | ||
Symphony No. 5 in B Flat Major, D. 485: IV. Allegro vivace | Franz Schubert, Bavarian Radio Symphony Orchestra, Eugen Jochum | B♭ Major | 1 | 6B | 77 BPM | ||
Humperdinck : Hänsel und Gretel : Act 2 "Ein Männlein steht im Walde" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 0 | 7B | 66 BPM | ||
Faust / Act 3: No.17 "Il était temps" | Charles Gounod, Yevgeny Nesterenko, Bavarian Radio Symphony Orchestra, Sir Colin Davis | B Minor | 2 | 10A | 89 BPM | ||
String Quartet No. 2 in D Major: II. Scherzo: Allegro | Alexander Borodin, Budapest Haydn Quartet | F Major | 1 | 7B | 107 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Symphony No. 5: IV. Adagietto (Live) | Gustav Mahler, Bavarian Radio Symphony Orchestra, Mariss Jansons | A Major | 4 | 11B | 118 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: Der Anstieg (The Ascent) - | Richard Strauss, Bavarian Radio Symphony Orchestra, Mariss Jansons | G Major | 2 | 9B | 72 BPM | ||
Sinfonietta: 2. Andante - Allegretto - Maestoso - Tempo I - Allegretto | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | A♭ Minor | 2 | 1A | 144 BPM |
Section: 1.3209755420684814
End: 1.3279733657836914