Clara Schumann, Jozef De Beenhouwer made "4 Pieces fugitives, Op. 15: No. 4. Scherzo in G Major" available on January 1, 2001. The duration of 4 Pieces fugitives, Op. 15: No. 4. Scherzo in G Major is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. 4 Pieces fugitives, Op. 15: No. 4. Scherzo in G Major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 57 in the song's album "Schumann, C.: Complete Piano Works". In this album, this song's track order is #13. 4 Pieces fugitives, Op. 15: No. 4. Scherzo in G Major is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 4 Pieces fugitives, Op. 15: No. 4. Scherzo in G Major by Clara Schumann, Jozef De Beenhouwer having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Three Postludes (1981/82): Postlude No. 3 | Valentin Silvestrov, Anja Lechner, Silke Avenhaus | D Major | 0 | 10B | 70 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
4 Pieces caracteristiques, Op. 5: No. 1. Impromptu, "Le Sabbat" | Clara Schumann, Susanne Grutzmann | D Minor | 1 | 7A | 78 BPM | ||
Melody, Op. 21, No. 9 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | B♭ Major | 1 | 6B | 79 BPM | ||
Romance in F Minor, Op. 11, B. 38 (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | B♭ Minor | 0 | 3A | 209 BPM | ||
In einer Nacht, Op. 15: No. 2, Sehr langsam - Musical Moments | Paul Hindemith, Elisabeth Brauß | D♭ Minor | 0 | 12A | 100 BPM | ||
Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
Vesperae solennes de confessore in C Major, K. 339: V. Laudate Dominum omnes gentes (Arr. Víkingur Ólafsson) - Grand Piano | Wolfgang Amadeus Mozart, Víkingur Ólafsson | F♯ Major | 6 | 2B | 147 BPM |
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