"Credo" by Anna Netrebko was released on September 1, 2017. With this song being about 5 minutes long, at 5:15, "Credo" by Anna Netrebko is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 35 in the song's album "Romanza (Deluxe Edition)". In this album, this song's track order is #4. In terms of popularity, Credo is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Credo by Anna Netrebko having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Я скучаю по тебе | Dimash Kudaibergen, Igor Krutoy | C Major | 7 | 8B | 70 BPM | ||
Wagner: Tannhäuser, Act 3: "Wie Todesahnung … O du, mein holder Abendstern" (Wolfram) | Richard Wagner, Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny, Staatsopernorchester Berlin | C Minor | 3 | 5A | 133 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Tenderness (Arr. Campbell) | Alexandra Pakhmutova, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | F Minor | 4 | 4A | 127 BPM | ||
Meine Lippen, die küssen so heiss | Franz Lehár, Anna Netrebko | E Major | 2 | 12B | 83 BPM | ||
Любовь, похожая на сон | Dimash Kudaibergen, Igor Krutoy | F Minor | 4 | 4A | 67 BPM | ||
La clemenza di Tito, K. 621 / Act I: "Ah perdona al primo affetto" | Wolfgang Amadeus Mozart, Anna Netrebko, Elina Garanca | A Major | 1 | 11B | 87 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Paride ed Elena / Act 1: "O del mio dolce ardor" | Christoph Willibald Gluck, Anne Sofie von Otter, Paul Goodwin, The English Concert, Trevor Pinnock | E Minor | 1 | 9A | 133 BPM |
Section: 0.6979315280914307
End: 0.7023131847381592