Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester made "Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro" available on September 28, 2001. The duration of Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor's "Gluck: Orfeo ed Euridice" album is number 17 out of 33. Based on our statistics, Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro by Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
Le Nozze di Figaro, K. 492: Sinfonia | Wolfgang Amadeus Mozart, Concerto Köln, René Jacobs | D Major | 1 | 10B | 142 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Orfeo ed Euridice: Act III, Scene 1, Orfeo ed Euridice: Vieni! Segui i miei passi | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Veronica Cangemi, Freiburger Barockorchester, Bernarda Fink | A Major | 0 | 11B | 97 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 2 | 7B | 198 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: V. Sommeille | Cologne Chamber Orchestra, Georg Philipp Telemann | C Minor | 0 | 5A | 58 BPM | ||
Dido and Aeneas / Act 2: Prelude for the witches | Henry Purcell, English Chamber Orchestra, Raymond Leppard | F Minor | 0 | 4A | 101 BPM | ||
Orfeo ed Euridice: Act III, Scene 2, Orfeo, Amore de Euridice: Ah! finisca e per sempre | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, Maria Cristina Kiehr, Veronica Cangemi, Bernarda Fink | B Minor | 0 | 10A | 86 BPM | ||
Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: III. Allegro | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | D♭ Minor | 3 | 12A | 104 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM |
Section: 0.643709659576416
End: 0.6518020629882812