Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro
Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester
Gluck: Orfeo ed Euridice
2:16 September 28, 2001
BPM
142
Key
F♯ Minor
Camelot
11A

Embed

Share Link

Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro - Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester Information

Acousticness
87%
Danceability
33%
Energy
4%
Instrumentalness
7%
Liveness
68%
Loudness
51%
Speechiness
4%
Valence
46%
Popularity
Loudness
-29.35 dB

Summary

Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester made "Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro" available on September 28, 2001. The duration of Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor's "Gluck: Orfeo ed Euridice" album is number 17 out of 33. Based on our statistics, Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro BPM

We consider the tempo marking of Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro by Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.

Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro Key

F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
24 Préludes, Op.28: 15. In D Flat Major by Frédéric Chopin, Martha Argerich24 Préludes, Op.28: 15. In D Flat MajorFrédéric Chopin, Martha ArgerichD♭ Major03B95 BPM
Le Nozze di Figaro, K. 492: Sinfonia by Wolfgang Amadeus Mozart, Concerto Köln, René JacobsLe Nozze di Figaro, K. 492: SinfoniaWolfgang Amadeus Mozart, Concerto Köln, René JacobsD Major110B142 BPM
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] by Carl Philipp Emanuel Bach, Giovanni MazzocchinNotebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124]Carl Philipp Emanuel Bach, Giovanni MazzocchinE♭ Major15B113 BPM
Orfeo ed Euridice: Act III, Scene 1, Orfeo ed Euridice: Vieni! Segui i miei passi by Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Veronica Cangemi, Freiburger Barockorchester, Bernarda FinkOrfeo ed Euridice: Act III, Scene 1, Orfeo ed Euridice: Vieni! Segui i miei passiChristoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Veronica Cangemi, Freiburger Barockorchester, Bernarda FinkA Major011B97 BPM
Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace by Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella IstropolitanaConcerto Grosso In F Major, Op. 6, No. 9: III. Corrente: VivaceArcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella IstropolitanaF Major27B198 BPM
Overture (Suite) In C Major, TWV 55: C6: V. Sommeille by Cologne Chamber Orchestra, Georg Philipp TelemannOverture (Suite) In C Major, TWV 55: C6: V. SommeilleCologne Chamber Orchestra, Georg Philipp TelemannC Minor05A58 BPM
Dido and Aeneas / Act 2: Prelude for the witches by Henry Purcell, English Chamber Orchestra, Raymond LeppardDido and Aeneas / Act 2: Prelude for the witchesHenry Purcell, English Chamber Orchestra, Raymond LeppardF Minor04A101 BPM
Orfeo ed Euridice: Act III, Scene 2, Orfeo, Amore de Euridice: Ah! finisca e per sempre by Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, Maria Cristina Kiehr, Veronica Cangemi, Bernarda FinkOrfeo ed Euridice: Act III, Scene 2, Orfeo, Amore de Euridice: Ah! finisca e per sempreChristoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, Maria Cristina Kiehr, Veronica Cangemi, Bernarda FinkB Minor010A86 BPM
Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: III. Allegro by Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der GoltzConcerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: III. AllegroJohann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der GoltzD♭ Minor312A104 BPM
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro by Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena ZemanovaConcerto grosso No. 1 in D Major, Op. 6: II. Largo - AllegroArcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena ZemanovaD♭ Major23B146 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.643709659576416

End: 0.6518020629882812