"Symphony No. 3 in C-Sharp Minor: II. Lento sempre marcato e rubato (Pt. 3)" by Havergal Brian, BBC Symphony Orchestra, Lionel Friend, Julian Jacobson, Andrew Ball was released on March 21, 1989. The duration of Symphony No. 3 in C-Sharp Minor: II. Lento sempre marcato e rubato (Pt. 3) is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Symphony No. 3 in C-Sharp Minor: II. Lento sempre marcato e rubato (Pt. 3)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 21 in Brian: Symphony No. 3 by Havergal Brian, BBC Symphony Orchestra, Lionel Friend. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Symphony No. 3 in C-Sharp Minor: II. Lento sempre marcato e rubato (Pt. 3) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 3 in C-Sharp Minor: II. Lento sempre marcato e rubato (Pt. 3) by Havergal Brian, BBC Symphony Orchestra, Lionel Friend, Julian Jacobson, Andrew Ball is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Symphony No. 1 in D Minor, "The Gothic": Part 1: II. Lento espressivo e solenne: section 2 | Havergal Brian, Vladimir Dolezal, Eva Jenisova, Peter Mikulas, Dagmar Peckova, Pavol Procházka, Bratislava Children's Choir, Bratislava City Chorus, Lucnica Chorus, Slovak Folk Ensemble Chorus, Slovak Opera Chorus, Slovak Philharmonic Choir, Echo Youth Choir, Slovak Philharmonic, Slovak Radio Symphony Orchestra, Ondrej Lenard | B♭ Major | 2 | 6B | 83 BPM | ||
Intend | Orion King | D♭ Major | 2 | 3B | 151 BPM | ||
Prokofiev: Symphony No. 7 in C-Sharp Minor, Op. 131: I. Moderato | Sergei Prokofiev, Mstislav Rostropovich, Orchestre National De France | A♭ Minor | 2 | 1A | 70 BPM | ||
The Bragger | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": II. Aria | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | F Minor | 0 | 4A | 68 BPM | ||
Dr. Merryheart: V. Variation 4: Merryheart As a Chivalrous Knight Chases Bluebeard (Als ritterlicher Kampe verfolgt Merryheart den Blaubart) | RTÉ National Symphony Orchestra, Havergal Brian | F Major | 2 | 7B | 92 BPM | ||
Don Quixote, Op. 35, TrV 184: Finale: Don Quixotes Tod | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 0 | 10B | 83 BPM | ||
Divertimento: I. Sennets and Tuckets: Allegro non troppo, ma con brio | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM |
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