- BPM
- 86
- Key
- F Major
- Camelot
- 7B
Cinderella Suite, Op. 87: Act II: Waltz Coda - Sergei Prokofiev, Leonard Slatkin, St. Louis Symphony Information
- Acousticness
- 75%
- Danceability
- 14%
- Energy
- 2%
- Instrumentalness
- 47%
- Liveness
- 8%
- Loudness
- 56%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 3%
- Loudness
- -26.395 dB
Summary
"Cinderella Suite, Op. 87: Act II: Waltz Coda" by Sergei Prokofiev, Leonard Slatkin, St. Louis Symphony was released on March 1, 2024. With Cinderella Suite, Op. 87: Act II: Waltz Coda being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Prokofiev: Cinderella-Suite, Op. 107". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. Cinderella Suite, Op. 87: Act II: Waltz Coda is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Cinderella Suite, Op. 87: Act II: Waltz Coda BPM
With Cinderella Suite, Op. 87: Act II: Waltz Coda by Sergei Prokofiev, Leonard Slatkin, St. Louis Symphony having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
Cinderella Suite, Op. 87: Act II: Waltz Coda Key
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | |
 | Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM | |
 | Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 5 | 7B | 167 BPM | |
 | Viola d'amore Concerto in A Minor, RV 397: I. Vivace | Antonio Vivaldi, Rachel Barton Pine, Ars Antigua | A♭ Minor | 2 | 1A | 139 BPM | |
 | Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | |
 | Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 1. Adagio | Johann Sebastian Bach, Hilary Hahn | G Minor | 1 | 6A | 84 BPM | |
 | Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM | |
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | |
 | The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM | |
 | L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 87 BPM |
- ISRC
- USSM12400564
- Label
- L-M Records/RCA Records
Section: 0.8463964462280273
End: 0.8518996238708496