"Küchler: Violin concertino Op. 11 in G Major: II. Andante" by Ferdinand Küchler, Maria Antònia Pons-Estel Tugores, Valentin Moldovan was released on March 11, 2019. The duration of Küchler: Violin concertino Op. 11 in G Major: II. Andante is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Küchler: Violin concertino Op. 11 in G Major: II. Andante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Student Violin Concertos: Conciertos para Violín y Piano". In this album, this song's track order is #2. In terms of popularity, Küchler: Violin concertino Op. 11 in G Major: II. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Küchler: Violin concertino Op. 11 in G Major: II. Andante by Ferdinand Küchler, Maria Antònia Pons-Estel Tugores, Valentin Moldovan having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
25 Études faciles et progressives, Op. 100: No. 2, L'arabesque | Franz Burgmüller, Carl Petersson | A Minor | 1 | 8A | 78 BPM | ||
Raymonda, Act I: Prelude et Variation | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | B Major | 0 | 1B | 104 BPM | ||
Le grand cahier: V. La servante et l'ordonnance | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | A Major | 1 | 11B | 95 BPM | ||
4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderato (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | B♭ Major | 1 | 6B | 115 BPM | ||
L'arte dell'arco, B. F11: Variazione No. 3 | Giuseppe Tartini, Alessandro Clerici | F Major | 3 | 7B | 125 BPM | ||
Küchler: Violin concertino Op. 11 in G Major: III. Rondo: Allegro | Ferdinand Küchler, Maria Antònia Pons-Estel Tugores, Valentin Moldovan | D Major | 1 | 10B | 136 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Winter (L'Inverno) Op.8 No.4 F Minor: Allegro | Baroque Festival Orchestra, Alberto Lizzio | F Minor | 0 | 4A | 153 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Tambourin Chinois, Op. 3 | Fritz Kreisler, Christian Li, Timothy Young | F Major | 3 | 7B | 161 BPM |
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