Heitor Villa-Lobos, Antonio Meneses, Celina Szrvinsk's 'Bachianas Brasileiras No. 2: O Canto do capadócio' came out on February 12, 2009. Since Bachianas Brasileiras No. 2: O Canto do capadócio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Soirées Internationales". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Bachianas Brasileiras No. 2: O Canto do capadócio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bachianas Brasileiras No. 2: O Canto do capadócio by Heitor Villa-Lobos, Antonio Meneses, Celina Szrvinsk having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Bagatelles: III. Alla Cubana | William Walton, Ana Vidovic | B Minor | 1 | 10A | 74 BPM | ||
Romance de los pinos | Federico Moreno Torroba, Andrés Segovia | A Major | 0 | 11B | 83 BPM | ||
Beau Soir, L. 6 | Claude Debussy, Yo-Yo Ma, Kathryn Stott | F♯ Minor | 0 | 11A | 178 BPM | ||
Bachianas brasileiras No. 1: III. Fugue: Conversa (Conversation) | Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia | C Minor | 1 | 5A | 91 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Brahms: 3 Intermezzi, Op. 117: No. 1 in E-Flat Major | Johannes Brahms, Nicholas Angelich | E♭ Major | 0 | 5B | 75 BPM | ||
Danzas Argentinas, Op. 2: 2. Danza de la moza donosa | Alberto Ginastera, Lang Lang | A Minor | 0 | 8A | 134 BPM | ||
Valses poeticos (arr. Peter Breiner): Valse 3. Tempo de Vals lento | Peter Breiner, Enrique Granados, Norbert Kraft, Polish National Radio Symphony Orchestra | E Minor | 2 | 9A | 100 BPM | ||
Valse Elegante | Francisco Mignone, Nelson Freire | F♯ Major | 0 | 2B | 64 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM |
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