Franz Xaver Richter, Czech Ensemble Baroque Orchestra, Roman Valek made "Symphony No. 52 in D Major: I. Presto assai" available on February 16, 2018. With this song being about 5 minutes long, at 5:19, "Symphony No. 52 in D Major: I. Presto assai" by Franz Xaver Richter, Czech Ensemble Baroque Orchestra, Roman Valek is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Richter: Te Deum 1781, Exsultate Deo, Oboe Concerto". In this album, this song's track order is #1. Based on our statistics, Symphony No. 52 in D Major: I. Presto assai's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Symphony No. 52 in D Major: I. Presto assai by Franz Xaver Richter, Czech Ensemble Baroque Orchestra, Roman Valek having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata II In G Minor: V. Aria (Muffat) | Georg Muffat, Masques, Olivier Fortin | A Major | 1 | 11B | 125 BPM | ||
Symphony in C Major, J-C 4: II. Andante e affettuoso | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 131 BPM | ||
Concerto Grosso In C Major, Op. 6, No. 10: I. Preludio: Andante Largo | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Quido Holbling, Anna Holbling, Capella Istropolitana | A Major | 1 | 11B | 142 BPM | ||
Flute Concerto in G Major, QV 5:165: III. Presto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | F Major | 1 | 7B | 107 BPM | ||
Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM | ||
Oboe Concerto in F major after BWV 49 & 169: Allegro | Johann Sebastian Bach, Hans-Peter Westermann | E Major | 2 | 12B | 98 BPM | ||
Concerto Grosso, Op. 6, No. 06 in G Minor (HWV 324): Musette | George Frideric Handel, Academy of Ancient Music, Andrew Manze | D Major | 1 | 10B | 117 BPM | ||
Overture in G Minor: VII. Rigaudon | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 154 BPM | ||
Sonata for 2 Violins and Basso Continuo: I. Allegro assai | Ignacio Balbi, Florilegium | B Minor | 0 | 10A | 132 BPM |
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