Friedrich Schloffer made "Die sowjetische Propaganda nutzte zunächst die Leningrader wirkungsvoll für sich" available on April 1, 2022. With Die sowjetische Propaganda nutzte zunächst die Leningrader wirkungsvoll für sich being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Shostakovich: Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts)". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Germany. Die sowjetische Propaganda nutzte zunächst die Leningrader wirkungsvoll für sich is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Die sowjetische Propaganda nutzte zunächst die Leningrader wirkungsvoll für sich by Friedrich Schloffer having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die sowjetische Propaganda nutzte zunächst die Leningrader wirkungsvoll für sich | Friedrich Schloffer | G Major | 8 | 9B | 80 BPM | ||
Kapitel 36.2 & Kapitel 37 & Kapitel 38.1 - Physik für die Westentasche | Harald Lesch, Quot-Team | E Minor | 3 | 9A | 110 BPM | ||
Kapitel 19.2 - Vatermord - Ein Fall für Carol Jordan und Tony Hill 6 | Val McDermid, Stefan Wilkening, Carol Jordan und Tony Hill | D♭ Major | 5 | 3B | 80 BPM | ||
Sie saßen und tranken am Teetisch | Heinrich Heine, Cornelius Obonya | D♭ Major | 1 | 3B | 146 BPM | ||
Kapitel 95 - Secondhand Toyfriend | darkviktory, Kostas Kind | D♭ Major | 2 | 3B | 85 BPM | ||
Kapitel 68 - Mord zur Teatime - Der goldene Samovar | Olga Wojtas, Helena Marchmont, Nicole Engeln | F♯ Major | 3 | 2B | 176 BPM | ||
Kapitel 8.2 & Kapitel 9.1 - Die Häschenschule - Der große Eierklau | Katja Grübel, Senta Berger, Die Häschenschule | F Minor | 4 | 4A | 134 BPM | ||
Die alten Griechen, Szene 3 | Philip Maloney, Roger Graf, Michael Schacht, Jodoc Seidel | A Minor | 2 | 8A | 98 BPM | ||
Kapitel 15 - Nils Holgerssons wunderbare Reise | Selma Lagerlöf | F♯ Major | 4 | 2B | 107 BPM | ||
Kapitel 4.3 & Kapitel 5.1 - Die Häschenschule - Der große Eierklau | Katja Grübel, Senta Berger, Die Häschenschule | D Minor | 2 | 7A | 98 BPM |
Section: 0.9228305816650391
End: 0.9281556606292725