Johann Sebastian Bach, Glenn Gould made "Partita No. 4 in D Major, BWV 828: VI. Menuet" available on 1957. With Partita No. 4 in D Major, BWV 828: VI. Menuet being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: 6 Partitas BWV 825-830; Chromatic Fantasy BWV 903; Italian Concerto BWV 971; The Art of the Fugue BWV 1080 (excerpts); Preludes, Fugues & Fantasies" album is number 25 out of 90. In terms of popularity, Partita No. 4 in D Major, BWV 828: VI. Menuet is currently below average in popularity. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Partita No. 4 in D Major, BWV 828: VI. Menuet by Johann Sebastian Bach, Glenn Gould to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Bagatelles, Op. 126: No. 2 in G Minor. Allegro | Ludwig van Beethoven, Glenn Gould | A Minor | 2 | 8A | 87 BPM | ||
Keyboard Sonata No. 58 in C Major, Hob. XVI:48: II. Rondo. Presto | Franz Joseph Haydn, Glenn Gould | E♭ Major | 1 | 5B | 134 BPM | ||
Lieder ohne Worte VIII, Op. 102: V. Allegro vivace, MWV U194 "The Joyous Peasant" | Felix Mendelssohn, Howard Shelley | A Major | 1 | 11B | 138 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: II. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 3 | 10B | 145 BPM | ||
Concerto for Strings in G Minor, RV 156: II. Adagio | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
Fantasia in C Major | Orlando Gibbons, Glenn Gould | C Major | 1 | 8B | 77 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
La Visionnaire (25e ordre) | François Couperin, Alexandre Tharaud | E♭ Major | 2 | 5B | 108 BPM |
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