"Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Ah! se intorno a quest'urna funesta" (bis) [Chorus]" by Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti was released on May 18, 2018. The duration of Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Ah! se intorno a quest'urna funesta" (bis) [Chorus] is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Ah! se intorno a quest'urna funesta" (bis) [Chorus]'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, Philippe Jaroussky's "Gluck: Orfeo ed Euridice" album is number 5 out of 32. Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Ah! se intorno a quest'urna funesta" (bis) [Chorus] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Ah! se intorno a quest'urna funesta" (bis) [Chorus] by Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti to be Grave (very slow) because the track has a tempo of 35 BPM, a half-time of 18BPM, and a double-time of 70 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
5 Songs from the Norwegian: No. 5. Sunset (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | F♯ Major | 0 | 2B | 69 BPM | ||
Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM |
Section: 0.7250072956085205
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