Frédéric Chopin, Alexander Kniazev, Nikolai Lugansky's 'Chopin: Cello Sonata in G Minor, Op. 65: II. Allegro con brio' came out on May 27, 2022. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 60 in the song's album "Nikolai Lugansky Plays Chopin". In this album, this song's track order is #58. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Chopin: Cello Sonata in G Minor, Op. 65: II. Allegro con brio is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Chopin: Cello Sonata in G Minor, Op. 65: II. Allegro con brio by Frédéric Chopin, Alexander Kniazev, Nikolai Lugansky having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Water Music Suite No. 1, HWV 348: Air | George Frideric Handel, John Eliot Gardiner, English Baroque Soloists | E Major | 0 | 12B | 79 BPM | ||
Piano Concerto No. 2 in F minor, Op. 21: II. Larghetto | Frédéric Chopin, Eldar Nebolsin, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 0 | 4B | 102 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: III. Allegro - Più presto | Johannes Brahms, Mischa Maisky, Pavel Gililov | G Major | 0 | 9B | 72 BPM | ||
Chopin: Scherzo No. 2 in B-Flat Minor, Op. 31 | Frédéric Chopin, Simon Trpčeski | D♭ Major | 1 | 3B | 131 BPM | ||
Violin Concerto in D Major, Op. 61: III. Rondo. Allegro | Ludwig van Beethoven, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | D Major | 1 | 10B | 81 BPM | ||
Nocturne No.17 In B, Op.62 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 73 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Sonata For Violin And Piano In A: 4. Allegretto poco mosso | César Franck, Itzhak Perlman, Vladimir Ashkenazy | A Major | 2 | 11B | 78 BPM | ||
Keyboard Trio No. 25 in G Major, Hob.XV:25, "Gypsy Rondo": III. Finale: Rondo all'ongarese | Franz Joseph Haydn, Kungsbacka Piano Trio | G Major | 1 | 9B | 147 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): I. Presto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | G Major | 1 | 9B | 131 BPM |
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