Erik Satie, Alexandre Tharaud's 'Embryons desséchés: Embryons desséchés: I. d'Holothurie' came out on January 20, 2009. The duration of Embryons desséchés: Embryons desséchés: I. d'Holothurie is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Embryons desséchés: Embryons desséchés: I. d'Holothurie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 77 in the song's album "Satie: Avant-dernières pensées (Bonus Track Version)". In this album, this song's track order is #32. In terms of popularity, Embryons desséchés: Embryons desséchés: I. d'Holothurie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Embryons desséchés: Embryons desséchés: I. d'Holothurie by Erik Satie, Alexandre Tharaud having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Satie: 6 Pièces froides, Pt. 2: Danses de travers, III. Encore | Erik Satie, Anne Queffélec | A Minor | 0 | 8A | 87 BPM | ||
Suite No. 7 in B-Flat Major, HWV 440: III. Sarabande | George Frideric Handel, Seong-Jin Cho | B♭ Major | 0 | 6B | 100 BPM | ||
D'Anglebert: Pièces de clavecin: Sarabande "Dieu des Enfers" (After Lully's La naissance de Vénus) | Jean-Henri d'Anglebert, Alexandre Tharaud | G Minor | 1 | 6A | 70 BPM | ||
13 Pieces, Op. 76: No. 13 Harlequinade | Jean Sibelius, Håvard Gimse | E♭ Major | 1 | 5B | 118 BPM | ||
Le Rossignol-en-Amour: 14ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | A Major | 0 | 11B | 65 BPM | ||
Variations on a Theme by Chopin: Variation IX. Valse | Federico Mompou, Daniil Trifonov | A Major | 1 | 11B | 61 BPM | ||
Sonata in C Major, Kk.132 | Domenico Scarlatti, Alexandre Tharaud | C Major | 0 | 8B | 62 BPM | ||
Lyric Pieces Book IX, Op. 68: No. 2 Grandmother's Minuet | Edvard Grieg, Emil Gilels | G Major | 0 | 9B | 99 BPM | ||
Pictures at an Exhibition: IV. Bydlo | Modest Mussorgsky, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 68 BPM | ||
Poulenc: Sonata for Piano 4-Hands, FP 8: I. Prelude | Francis Poulenc, Emmanuel Strosser, Alexandre Tharaud | A♭ Major | 1 | 4B | 109 BPM |
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