"Clarinet Concerto No. 1 in C Minor, Op. 26: I. Adagio - Allegro" by Louis Spohr, Ernst Ottensamer, Slovak Radio Symphony Orchestra, Slovak State Philharmonic Orchestra, Kosice, Johannes Wildner was released on August 17, 1994. Clarinet Concerto No. 1 in C Minor, Op. 26: I. Adagio - Allegro appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Spohr: Clarinet Concertos Nos. 1 and 3 / Potpourri, Op. 80". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Clarinet Concerto No. 1 in C Minor, Op. 26: I. Adagio - Allegro is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Clarinet Concerto No. 1 in C Minor, Op. 26: I. Adagio - Allegro by Louis Spohr, Ernst Ottensamer, Slovak Radio Symphony Orchestra, Slovak State Philharmonic Orchestra, Kosice, Johannes Wildner having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 16 In A Minor, Op. 58, No. 2: II. Andante Con Variazioni | New Budapest Quartet, Louis Spohr | F Major | 1 | 7B | 124 BPM | ||
Saint-Saëns: Oboe Sonata, Op. 166: II. Ad libitum - Allegretto - Ad libitum | Camille Saint-Saëns, François Leleux, Emmanuel Strosser | B♭ Major | 1 | 6B | 85 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
Suite for Cello and Orchestra, Op. 16: IV. Romance (molto adagio) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | E Major | 0 | 12B | 78 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): I. Presto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | G Major | 1 | 9B | 131 BPM | ||
Faust, Act III (1852 Version): Er naht, bald ist erreicht mein Ziel! | Louis Spohr, Michael Vier, Eelco von Jordis, William Pugh, Diane Jennings, Ion Bric, Martin Eichwalder, Drummond Walker, Ulrich Neuweiler, Helmut Kegler, Claudia Taha, Drew Abbott, Maria Kowollik, Bielefeld Philharmonic Orchestra, Geoffrey Moull | B Major | 1 | 1B | 116 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | F Major | 2 | 7B | 72 BPM | ||
Symphonie Espagnole In D Minor, Op. 21: 2. Scherzando (Allegro molto) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 1 | 9B | 105 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM |
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