Egmont, Op. 84: No. 1. Act I Scene 3: Die Trommel geruhret (Clarchen)
Ludwig van Beethoven, Madeleine Pierard, Claus Obalski, New Zealand Symphony Orchestra, James Judd
Beethoven, L. van: Egmont / Ah, perfido
2:50 January 26, 2010
BPM
65
Key
E♭ Major
Camelot
5B

Spotify

Apple Music

Amazon Music

Tidal

Pandora

YouTube Music

Embed

Share Link

Egmont, Op. 84: No. 1. Act I Scene 3: Die Trommel geruhret (Clarchen) - Ludwig van Beethoven, Madeleine Pierard, Claus Obalski, New Zealand Symphony Orchestra, James Judd Information

Acousticness
97%
Danceability
25%
Energy
12%
Instrumentalness
0%
Liveness
9%
Loudness
69%
Speechiness
5%
Valence
8%
Popularity
4%
Loudness
-18.772 dB

Summary

"Egmont, Op. 84: No. 1. Act I Scene 3: Die Trommel geruhret (Clarchen)" by Ludwig van Beethoven, Madeleine Pierard, Claus Obalski, New Zealand Symphony Orchestra, James Judd was released on January 26, 2010. The duration of Egmont, Op. 84: No. 1. Act I Scene 3: Die Trommel geruhret (Clarchen) is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Egmont, Op. 84: No. 1. Act I Scene 3: Die Trommel geruhret (Clarchen)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 13 in Beethoven, L. van: Egmont / Ah, perfido by Ludwig van Beethoven, James Judd. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Egmont, Op. 84: No. 1. Act I Scene 3: Die Trommel geruhret (Clarchen) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Egmont, Op. 84: No. 1. Act I Scene 3: Die Trommel geruhret (Clarchen) BPM

The tempo marking of Egmont, Op. 84: No. 1. Act I Scene 3: Die Trommel geruhret (Clarchen) by Ludwig van Beethoven, Madeleine Pierard, Claus Obalski, New Zealand Symphony Orchestra, James Judd is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Egmont, Op. 84: No. 1. Act I Scene 3: Die Trommel geruhret (Clarchen) Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto for Strings in A Minor, RV 161: I. Allegro by Antonio Vivaldi, Accademia I Filarmonici, Alberto MartiniConcerto for Strings in A Minor, RV 161: I. AllegroAntonio Vivaldi, Accademia I Filarmonici, Alberto MartiniB♭ Major56B124 BPM
Beethoven: 12 Contredanses, WoO 14: No. 10 in C Major by Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the FieldsBeethoven: 12 Contredanses, WoO 14: No. 10 in C MajorLudwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the FieldsC Minor15A169 BPM
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major by Antonín Dvořák, Stefan Veselka2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G MajorAntonín Dvořák, Stefan VeselkaG Major09B66 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E PianoCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachE♭ Major15B103 BPM
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume by Robert Schumann, Kian Soltani, Aaron PilsanMyrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine BlumeRobert Schumann, Kian Soltani, Aaron PilsanF Major07B116 BPM
Beethoven: Symphony No. 6 in F Major, Op. 68 Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppoLudwig van Beethoven, Philadelphia Orchestra, Riccardo MutiF♯ Major02B88 BPM
6 Moments musicaux, Op. 16: No. 4, Presto by Sergei Rachmaninoff, Boris Giltburg6 Moments musicaux, Op. 16: No. 4, PrestoSergei Rachmaninoff, Boris GiltburgE Minor29A126 BPM
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo by Camille Saint-Saëns, André Navarra, Charles Münch, Orchestre des Concerts LamoureuxSaint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppoCamille Saint-Saëns, André Navarra, Charles Münch, Orchestre des Concerts LamoureuxF Major27B122 BPM
Beethoven: 12 Contredanses, WoO 14: No. 6 in C Major by Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the FieldsBeethoven: 12 Contredanses, WoO 14: No. 6 in C MajorLudwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the FieldsC Major38B125 BPM
Symphony No. 9 in E Minor, Op. 95 Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro moltoAntonín Dvořák, New York Philharmonic, Alan GilbertE Minor19A125 BPM
ISRC
HKI190942502
Label
L-M Records/RCA Records

Section: 0.7547667026519775

End: 0.7596392631530762