"Libro primo: Missa Dominicalis. I. Introito - Kyrie alternatim" by Andrea Gabrieli, Schola Gregoriana Scriptoria, Don Nicola Bellinazo, Roberto Loreggian was released on August 28, 2015. Since Libro primo: Missa Dominicalis. I. Introito - Kyrie alternatim is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Andrea Gabrieli, Schola Gregoriana Scriptoria, Don Nicola Bellinazo, Roberto Loreggian's "Gabrieli: Complete Keyboard Music" album is number 19 out of 85. On top of that, Netherlands appears to be the country where this track was created. Libro primo: Missa Dominicalis. I. Introito - Kyrie alternatim is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Libro primo: Missa Dominicalis. I. Introito - Kyrie alternatim by Andrea Gabrieli, Schola Gregoriana Scriptoria, Don Nicola Bellinazo, Roberto Loreggian to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Pro Defunctis: Kyrie 1 | Antonio Lotti, Ensemble Métamorphoses de Paris, Maurice Bourbon, Anne Guidet, Edith Sauzay, Catherine Betchen, Marielle Debouverie, Jacques Maes, Jean-François Chiama, Sylvère Bourges, Enrico Bava, Jean-Louis Carlier, Marie-Françoise Cassou, Pascale Constantini | B Minor | 1 | 10A | 129 BPM | ||
Prime die Lectio secunda: XI. Vau | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | A♭ Minor | 0 | 1A | 81 BPM | ||
O crux benedicta | Mignarda | A♭ Minor | 0 | 1A | 90 BPM | ||
Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
Se l'ardor foss'equale | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 109 BPM | ||
Acceso mio cuore (Ciaconna) | Francesco Manelli, Capella De La Torre, Katharina Bauml | C Major | 0 | 8B | 109 BPM | ||
Piangono al pianger mio | Sigismondo D'India, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
Palestrina: Assumpta Est Maria in Caelum - 1. Assumpta Est Maria in Caelum | The Tallis Scholars, Peter Phillips | F♯ Minor | 2 | 11A | 78 BPM | ||
Cancionero musical de palacio: No. 92, Dentro en el vergel a 3 | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | C Major | 0 | 8B | 67 BPM | ||
Sanctus | Jacob Clemens non Papa, The Monteverdi Choir, John Eliot Gardiner | D Major | 1 | 10B | 130 BPM |
Section: 0.5699365139007568
End: 0.5734851360321045