Josep Maria Pou made "Narració 9: "Carta d’Erasme a Thomas More sobre la publicació de L’Elogi de la Follia"" available on 2012. The duration of Narració 9: "Carta d’Erasme a Thomas More sobre la publicació de L’Elogi de la Follia" is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Narració 9: "Carta d’Erasme a Thomas More sobre la publicació de L’Elogi de la Follia"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 91 in Erasmus - Elogi de la Follia (Versió en Català) by La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Narració 9: "Carta d’Erasme a Thomas More sobre la publicació de L’Elogi de la Follia" is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Narració 9: "Carta d’Erasme a Thomas More sobre la publicació de L’Elogi de la Follia" by Josep Maria Pou is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dances From the English Dancing Master: Nonesuch | John Playford, Folger Consort | D Minor | 2 | 7A | 115 BPM | ||
Trattado de glosas: Recercadas primera y quarta sobre tenores: II. | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
Pièce de théorbe et de luth: Gavotte / Manuscrit Parville: Gavotte | Robert de Visée, Nicolas Lebègue, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Pro Tetuu Kapraňovou | Pavel Jurkovič, Hana Blažíková, Martina Bernášková, Kateřina Ghannudi, Jan Krejča, Martin Rudovský | G Major | 0 | 9B | 68 BPM | ||
Lachrimae or Seven Tears: II. Lachrimae antiquae novae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Tres diferencias de Guárdame las vacas por otra parte, Book VI | Luis de Narváez, Xavier Diaz-Latorre | C Minor | 1 | 5A | 73 BPM | ||
Au renouviau | Anonyme, Les musiciens de Provence, Maurice Guis | D Major | 3 | 10B | 152 BPM | ||
Pavane de la tromba hollandica | Maurice of Hesse-Kassel, Capella De La Torre, Katharina Bauml | C Major | 1 | 8B | 74 BPM | ||
Duo Per illud ave | The Royal Wind Music, Capella Sancta María, Alfred Fernández | D♭ Minor | 0 | 12A | 127 BPM | ||
Nephelai (Nymphs of the Clouds) | Michael Levy | A♭ Major | 4 | 4B | 119 BPM |
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