I was glad - anthem for the Coronation of King Edward VII (1902) - Hubert Parry, The Philip Jones Brass Ensemble, David Flood, Canterbury Cathedral Choir, Allan Wicks Information

Acousticness: 89%
Danceability: 15%
Energy: 15%
Instrumentalness: 84%
Liveness: 29%
Loudness: 73%
Speechiness: 3%
Valence: 5%
Popularity: 10%
Loudness: -16.434 dB

Summary

"I was glad - anthem for the Coronation of King Edward VII (1902)" by Hubert Parry, The Philip Jones Brass Ensemble, David Flood, Canterbury Cathedral Choir, Allan Wicks was released on January 1, 2000. I was glad - anthem for the Coronation of King Edward VII (1902) is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Pomp and Circumstance". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. I was glad - anthem for the Coronation of King Edward VII (1902) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

I was glad - anthem for the Coronation of King Edward VII (1902) BPM

With I was glad - anthem for the Coronation of King Edward VII (1902) by Hubert Parry, The Philip Jones Brass Ensemble, David Flood, Canterbury Cathedral Choir, Allan Wicks having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

I was glad - anthem for the Coronation of King Edward VII (1902) Key

This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Fantasia on British Sea Songs (excerpts): VI. See the Conquering Hero	Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel	A Major	0	11B	72 BPM
Music for the Royal Fireworks, HWV 351: IV. La rejouissance	George Frideric Handel, Le Concert Spirituel, Herve Niquet	D♭ Major	4	3B	107 BPM
Only in Sleep	Ēriks Ešenvalds, The Choir of Trinity College, Melbourne, Christopher Watson, Phoebe Thomson	F♯ Major	0	2B	77 BPM
All My Hope on God Is Founded	Herbert Howells, Truro Cathedral Choir, Henry Doughty, David Briggs	F Minor	0	4A	96 BPM
Long Since in Egypt’s Plenteous Land	Hubert Parry, Alter Mayster	B Major	5	1B	138 BPM
Madama Butterfly, Act 2: Humming Chorus	Giacomo Puccini, Opera Queensland Chorus, Johannes Fritzsch, Queensland Symphony Orchestra	B♭ Major	0	6B	139 BPM
The Procession Of The Bride (The Introit) - I Was Glad	Hubert Parry, The Choir Of Westminster Abbey, James O'Donnell, The Choir of Her Majesty's Chapel Royal, St James's Palace, Doctor Andrew Grant, London Chamber Orchestra, Christopher Warren-Green, Fanfare Team from the Central Band of the Royal Air Force	B♭ Major	3	6B	95 BPM
The Day Thou Gavest Lord, Is Ended	Huddersfield Choral Society	A Major	2	11B	83 BPM
Arne / Arr Sargent : Rule Britannia!	Thomas Arne, Last Night Of The Proms - The 100th Season, Andrew Davis, BBC Symphony Orchestra	A♭ Major	3	4B	97 BPM
Requiem: Salvator Mundi	Herbert Howells, Conspirare, Craig Hella Johnson	G Major	0	9B	126 BPM

ISRC: GBF078310780
Label: L-M Records/RCA Records

Section: 0.6886725425720215

End: 0.6920676231384277