"Il barbiere di Siviglia / Act 2: No.16 Terzetto: "Ah! qual colpo inaspettato!"" by Gioachino Rossini, Gianna D'Angelo, Renato Capecchi, Nicola Monti, Bavarian Radio Symphony Orchestra, Bruno Bartoletti was released on January 1, 2006. Il barbiere di Siviglia / Act 2: No.16 Terzetto: "Ah! qual colpo inaspettato!" is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. There are a total of 27 in the song's album "Rossini: Il Barbiere di Siviglia". In this album, this song's track order is #14. Based on our statistics, Il barbiere di Siviglia / Act 2: No.16 Terzetto: "Ah! qual colpo inaspettato!"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Il barbiere di Siviglia / Act 2: No.16 Terzetto: "Ah! qual colpo inaspettato!" by Gioachino Rossini, Gianna D'Angelo, Renato Capecchi, Nicola Monti, Bavarian Radio Symphony Orchestra, Bruno Bartoletti having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music For The Royal Fireworks: Suite HWV 351: 1. Ouverture | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 4 | 3B | 136 BPM | ||
The Bartered Bride, Act I Scene V: Introduction. Polka | Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, The Royal Opera Chorus | C Major | 3 | 8B | 103 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Il Barbiere di Siviglia, Act II: Pace e gioia sia con voi (Conte/Bartolo) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva, Fritz Ollendorff | B♭ Major | 2 | 6B | 61 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Flotow: Martha / Act 3 - "M'appari" | Luciano Pavarotti, Richard Bonynge, New Philharmonia Orchestra | E Major | 3 | 12B | 125 BPM | ||
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | ||
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM |
Section: 0.7997298240661621
End: 0.8031556606292725