Leonard Bernstein, Israel Philharmonic Orchestra's 'On the Waterfront Symphonic Suite: VI. A Tempo (Poco più sostenuto)' came out on January 1, 1985. The duration of On the Waterfront Symphonic Suite: VI. A Tempo (Poco più sostenuto) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. On the Waterfront Symphonic Suite: VI. A Tempo (Poco più sostenuto)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 33 in Bernstein: West Side Story by Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, On the Waterfront Symphonic Suite: VI. A Tempo (Poco più sostenuto)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of On the Waterfront Symphonic Suite: VI. A Tempo (Poco più sostenuto) by Leonard Bernstein, Israel Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): L'istesso tempo - Più mosso | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 84 BPM | ||
Grand Canyon Suite: I Sunrise | Ferde Grofé, Bournemouth Symphony Orchestra, William Stromberg | A Major | 2 | 11B | 111 BPM | ||
Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
West Side Story: Somewhere | Leonard Bernstein, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | F Major | 2 | 7B | 174 BPM | ||
Rodeo: 4 Dance Episodes: No. 4. Hoe-Down | Aaron Copland, Buffalo Philharmonic Orchestra | G Major | 3 | 9B | 125 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Major | 0 | 7B | 122 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM |
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