"Four Movements for Two Pianos: IV. —" by Philip Glass, Katia & Marielle Labèque was released on August 16, 2022. With this song being about 5 minutes long, at 5:15, "Four Movements for Two Pianos: IV. —" by Philip Glass, Katia & Marielle Labèque is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Philip Glass, Michael Nyman, Arvo Pärt's "Minimalism: Summer Nights" album is number 33 out of 102. On top of that, Italy appears to be the country where this track was created. Based on our statistics, Four Movements for Two Pianos: IV. —'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Four Movements for Two Pianos: IV. — by Philip Glass, Katia & Marielle Labèque to be Allegro (fast, quick, and bright) because the track has a tempo of 149 BPM, a half-time of 74BPM, and a double-time of 298 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dessner: Song for Octave | Bryce Dessner, Bertrand Chamayou | E♭ Major | 1 | 5B | 133 BPM | ||
Violin Solo No. 1 | Peter Broderick | G Minor | 1 | 6A | 95 BPM | ||
4 Postludes for Piano & String Orchestra: No. 3. Larghetto, con moto (poco rubato) | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | G Major | 0 | 9B | 74 BPM | ||
Together We Will Live Forever | Clint Mansell | G Minor | 0 | 6A | 76 BPM | ||
Birds In Warped Time II | Somei Satoh, Anne Akiko Meyers, Li Jian, Piano | B Minor | 0 | 10A | 135 BPM | ||
Light Moving | David Lang, Hilary Hahn, Cory Smythe | E Minor | 1 | 9A | 102 BPM | ||
Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | F Major | 0 | 7B | 113 BPM | ||
Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra ) | Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 82 BPM | ||
Bruyères - Home Session | Claude Debussy, Víkingur Ólafsson | A♭ Major | 0 | 4B | 64 BPM | ||
Lo, the full, final sacrifice, Op. 26: Amen - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Major | 1 | 12B | 112 BPM |
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