"Intermezzi, Op. 117: 2. in B Flat Minor" by Johannes Brahms, Julius Katchen was released on December 2, 1996. With this song being about 5 minutes long, at 4:34, "Intermezzi, Op. 117: 2. in B Flat Minor" by Johannes Brahms, Julius Katchen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 21 in Brahms: Handel Variations; Brahms: Handel Variations; Paganini Variations; Piano Sonata No.3, etc. by Johannes Brahms, Julius Katchen. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Intermezzi, Op. 117: 2. in B Flat Minor is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Intermezzi, Op. 117: 2. in B Flat Minor by Johannes Brahms, Julius Katchen is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 1 in G Minor | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | G Minor | 2 | 6A | 138 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Lyric Pieces Book VIII, Op. 65: No. 5 Ballad | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: II. Villanella (Quadro III | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 136 BPM | ||
Nocturne No. 5 in B-Flat Major | John Field, Benjamin Frith | B♭ Major | 0 | 6B | 73 BPM | ||
4 Klavierstücke, Op. 119: No. 1, Intermezzo in B Minor | Johannes Brahms, Jeremy Denk | B Minor | 0 | 10A | 68 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VI. Passacaglia | Ottorino Respighi, Konstantin Scherbakov | G Minor | 2 | 6A | 96 BPM | ||
Piano Sonata No. 2 in B-Flat Minor, Op. 36: III. L'istesso tempo - Allegro molto | Sergei Rachmaninoff, Vladimir Horowitz | B♭ Major | 2 | 6B | 110 BPM | ||
18 Morceaux, Op. 72, TH 151: 5. Méditation | Pyotr Ilyich Tchaikovsky, Vladimir Ashkenazy | A Major | 1 | 11B | 130 BPM | ||
18 Études, Op. 109: No. 12, Le réveil dans les bois | Franz Burgmüller, Carl Petersson | F Major | 4 | 7B | 194 BPM |
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